Exploring the longitudinal clustering of lifestyle behaviors, social determinants of health, and depression

Abstract Lifestyle behaviors such as exercise, sleep, smoking, diet, and social interaction are associated with depression. This study aimed to model the complex relationships between lifestyle behaviors and depression and among the lifestyle behaviors. Data from three waves of the Midlife in the United States study were used, involving 6898 adults. Network models revealed associations between the lifestyle behaviors and depression, with smoker status being strongly associated with depression. Depression, smoker status, age, time, and exercise were some of the most central components of the networks.

By Austen R. Anderson, Adam P. McGuire, A. Solomon Kurz, Yvette Z. Szabo, & Sheila B. Frankfurt

Resilience predicts posttraumatic cognitions after a trauma reminder task and subsequent positive emotion induction among veterans with PTSD

Abstract Objective: Posttraumatic stress disorder (PTSD) is a common problem for veterans. Resilience, the tendency to bounce back from difficult circumstances, is negatively associated with posttraumatic cognitions (PTCs) among individuals with a history of trauma, and thus it may be important to understand responses to trauma reminders. Methods: Using a quasi-experimental design, we examined the association between trait resilience and state PTCs in veterans with PTSD $(n = 47, M_\textit{age} = 48.

By Yvette Z. Szabo, Sheila B. Frankfurt, A. Solomon Kurz, Austen R. Anderson, & Adam P. McGuire

Functional specificity and neural integration in the aesthetic appreciation of artworks with implied motion

Abstract Although there is growing interest in the neural foundations of aesthetic experience, it remains unclear how particular mental subsystems (e.g. perceptual, affective and cognitive) are involved in different types of aesthetic judgements. Here, we use fMRI to investigate the involvement of different neural networks during aesthetic judgements of visual artworks with implied motion cues. First, a behavioural experiment ((N = 45)) confirmed a preference for paintings with implied motion over static cues.

By Ionela Bara, Kohinoor M. Darda, A. Solomon Kurz, & Richard Ramsey